🔗 Share this article That Drifting Excrement Was Way Too Symbolic! It's the Television Disappointments of the Past Year. Looking back, we reflect on the TV offerings of the past year, a selection of series emerge not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote. The 'Sex and the City' Sequel How to start with this love/hate follow-up? Burdened with dreadful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. For a moment, as the final season started, it seemed as if it had at last found its groove. Then came an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It ended on a bum note; the closeup of Miranda’s loo full of poo was simply too on-the-nose. Still, viewers certainly had a hoot picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob? The Kim Kardashian Drama ‘Is Kim Kardashian an actress? Of course she can’t.’ But that was almost the smallest of this drama's issues. The recipient of a very rare no-star assessment, it was hard to know where to start enumerating the problems. The hilariously leaden dialogue? The tedious veneration of wealth and materialism? The almost deliberate procession of cliches? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to. AKA Charlie Sheen Given the restraining orders, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while struggling to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this series might induce should be reserved for the people who have had to endure close contact with this charming but dismissive narcissist. The Supercomputer Drama Naturally we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost. MobLand Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back. In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over narcotics territory between various London rogues which felt a bit basic. The Meghan Markle Series Given the extent to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you watch them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh. The Beckham Documentary There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this documentary series opted not to explore them. Rather, the experience was like reading a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey non-event of a series. The Game Show It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it. The Lena Dunham Romcom How does one succeed a show that captured a generation? The expectation was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of celebrity cameos involved felt uncomfortable. Mitchell & Webb Are Not Helping Not even good enough to be ‘patchy’. Given the smart inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer. The Twisted Tale of Amanda Knox This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely. Prime Target We admire the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services spying on – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers. The Bonnie Blue Documentary This hagiography followed the content creator renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.